Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Quirijn van Brekelenkam
Interior with angler and man behind a spinning wheel.

ID: 98425

Quirijn van Brekelenkam Interior with angler and man behind a spinning wheel.
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Quirijn van Brekelenkam Interior with angler and man behind a spinning wheel.


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Quirijn van Brekelenkam

1620-1668 Dutch Quirijn van Brekelenkam Locations   Related Paintings of Quirijn van Brekelenkam :. | Woman Combing a Child's Hair | Man Scaling Fish | Interior of a Tailor's Shop | The Tailor's Workshop | Interior with angler and man behind a spinning wheel. |
Related Artists:
William Larkin
(early 1580s - 1619) was an English painter active from 1609 until his death in 1619, known for his iconic portraits of members of the court of James I of England which capture in brilliant detail the opulent layering of textiles, embroidery, lace, and jewellery characteristic of fashion in the Jacobean era, as well as representing numerous fine examples of oriental carpets in Renaissance painting.Larkin was born in London in the early 1580s, and lived in the parishes of St Sepulchre-without-Newgate, Holborn, and St Anne Blackfriars. He became a freeman of the Worshipful Company of Painter-Stainers on 7 July 1606 under the patronage of Lady Arbella Stuart and Edward Seymour, 1st Earl of Hertford. Married before 1612, he buried a stillborn son in that year; a son, William, in 1613; and a daughter, Mary, in January 1614/15, all at St Anne Blackfriars. Another daughter called Mary was alive at the time of his death. He died sometime between the witnessing of his will on 10 April 1619 and its proving on 14 May. The date of his burial is unknown because the parish records were destroyed in the Great Fire of London in 1666
Fedor Vasilyev
painted Dawn in St. Petersburg
Arellano, Juan de
Spanish Baroque Era Painter, 1614-1676 Spanish painter. He was the pre-eminent painter of flower-pieces in 17th-century Spain. Although Spaniards of the previous generation had painted such works, it was the inspiration of Flemish and Italian examples in Madrid that from c. 1650 encouraged Arellano's success as a specialist in this genre. According to Palomino, who moved to the Court shortly after the artist's death and befriended many painters who had known him, Arellano began to paint flowers only in his thirties after a beginning that showed little promise.






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